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Magnencij Rabani Mauri De laudib[us] sancte Crucis opus erudicione versu prosaq[ue] mirificum by Rabanus Maurus, Archbishop of Mainz, 784?-856; Wimpheling, Jakob, 1450-1528 (1503). Available at: https://archive.org/details/magnencijrabanim00raba/page/n27/mode/1up

Rabanus Maurus, ca. 835 / Jakob Wimpheling 1503

Praetorius, Johannes: Satyrus Etymologicus, Oder der Reformirende und Informirende Rüben-Zahl (1672). https://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb11261414-5

Johann Praetorius, 1672

Wolffger, Georg. Neu-auffgesetztes Format-Büchlein, oder vorgestellte Nachrichtungs-Figuren: wie man auff der löblichen Kunst Buch-Druckerey ...die Columnen recht ordentlich außschiessen und stellen soll. [Widmanstetter], 1673, http://data.onb.ac.at/ABO/%2BZ7508803

Georg Wolffger, 1673

Wolffger, Georg. Neu-auffgesetztes Format-Büchlein, oder vorgestellte Nachrichtungs-Figuren: wie man auff der löblichen Kunst Buch-Druckerey ...die Columnen recht ordentlich außschiessen und stellen soll. [Widmanstetter], 1673, http://data.onb.ac.at/ABO/%2BZ7508803

Georg Wolffger, 1673

Wolffger, Georg. Neu-auffgesetztes Format-Büchlein, oder vorgestellte Nachrichtungs-Figuren: wie man auff der löblichen Kunst Buch-Druckerey ...die Columnen recht ordentlich außschiessen und stellen soll. [Widmanstetter], 1673, http://data.onb.ac.at/ABO/%2BZ7508803

Georg Wolffger, 1673

https://www.inksquasher.com/the-type-circus

Naomi Kent / Inksquasher, 2019

González de Reyes, Antonio, y Baltasar Gómez. Al aguila mysteriosa , San Juan Evagelista. Madrid: en la imprenta de Antonio Gonçalez de Reyes, 1689.

Baltasar Gomez, 1689

The printer's grammar: wherein are exhibited, examined, and explained, the superficies, gradation, and properties of the different sorts and sizes of metal types, ... sundry alphabets, ... figures of mathematical, astronomical, musical, and physical signs; ... With directions to authors, compilers, &c. By John Smith, ... 1755 by Smith, John, Printer. https://archive.org/details/bim_eighteenth-century_the-printers-grammar-w_smith-john-printer_1755/page/139/mode/1up

John Smith, 1755

A broadside congratulating the Nuremberg council on the New Year 1719. https://www.britishmuseum.org/collection/object/P_1876-0510-637

Johann Daniel Endter, 1719

Broadside for the feast of San Juan Evangelista, patron of the printers of Valencia. Valencia: Viuda de Joseph de Orga, 1767. Providence Public Library, Updike Collection. Image via Jordan Goffin, "Analog ASCII," Notes for Bibliophiles (2 May 2011).

Press of Antonia Gomez (widow of Joseph de Orga), 1767

Broadside for the feast of San Juan Evangelista, patron of the printers of Valencia. Valencia: Benito Monfort, 1771. Providence Public Library, Updike Collection. Image via Jordan Goffin, "Analog ASCII," Notes for Bibliophiles (2 May 2011).

Press of Benito Monfort, 1771

CIRIER (Nicolas). L'Oeil typographique offert aux hommes de lettres de l'un et l'autre sexe, notamment à MM. Les correcteurs, protes, sous-protes, etc. Paris, Firmin Didot frères, et chez l'Auteur, N. Cirier, 1839.

Nicolas "the crazy typographer" Cirier, 1839.

Koppermaandagprent van 12 januari 1846 met een voorstelling van de Beurs van Zocher te Amsterdam, ingewijd in tegenwoordigheid van koning II, op 10 september 1845. https://www.rijksmuseum.nl/nl/collectie/verzameling/Drukkunst-Art-of-Printing--4c03b54a-dbb8-4862-36bf-08dd024ac88f

Van A. Zweesaardt, 1846

Broadside printed annually on the Dutch printers festival day, called Koppermaandag, the Monday following the feast of the Epiphany. RIT Cary Graphic Arts Collection https://www.facebook.com/photo?fbid=953467062281615&set=pcb.953467182281603

De Snelpersdrukkerij van C.A. Campagne, 1857

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

Galería Gráfica, 1910. https://bivaldi.gva.es/es/catalogo_imagenes/grupo.do?path=1028922

D. Andres Ferrer, 1890'{19}

From Boletín de la Real Academia de la Historia by Madrid,Fortanet, 1926. https://archive.org/details/boletindelareala89madr/page/n870/mode/1up

D. Andres Ferrer, 1880'{19}

Hana no Shiori 花ノ栞 (1902), the fourth volume in the Tokyo Tsukiji Type Foundry's series of Meiji-era printing specimen albums. https://kohunkankappan.jp/archives/latestnews/page/7

Tokyo Tsukiji Type Foundry, 1902

Hana no Shiori 花ノ栞 (1902), the fourth volume in the Tokyo Tsukiji Type Foundry's series of Meiji-era printing specimen albums. https://kohunkankappan.jp/archives/latestnews/page/7

Tokyo Tsukiji Type Foundry, 1902

G. Apollinaire, Calligrammes. Poèmes de la paix et de la guerre (1913-1916), 1918. https://archive.org/details/g.-apollinaire-calligrammes.-poemes-de-la-paix-et-de-la-guerre-1913-1916-1918/page/n63/mode/1up

Guillaume Apollinaire, 1918

Caffeconcerto. Alfabeto a sorpresa, Edizioni Futuriste di Poesia, 1919. Images from https://www.arengario.it/opera/caffeconcerto-alfabeto-a-sorpresa-4663/

Francesco Cangiullo, 1919

From Zeitschrift Gebrauchsgraphik, Band 5.1928,1 https://www.arthistoricum.net/werkansicht/dlf/112649/126?tx_dlf%5Bdouble%5D=0&tx_dlf%5Bpagegrid%5D=0&cHash=061ff75c994d82dcaf6c8f9d1265f418

Phönix, 1928

Typographische Mitteilungen 25.1928 July. https://digital.slub-dresden.de/werkansicht/dlf/311282%2F202

Karl Koch, 1928

https://collections.bm-lyon.fr/MIL_01CTF00101364MG09?&query[]=subject:%22Lin%C3%A9ale%22&hitStart=12&hitTotal=245&hitPageSize=25

Ripolin, 1930'{19}

Foregangsmanden Ernst Henrich Berling. by Hellsen, Henry (1932). Note: Pictures are ONLY in the 1932 edition, not in the 1958 edition!

Det Berlingske Bogtrykkeri, 1932

Foregangsmanden Ernst Henrich Berling. by Hellsen, Henry (1932). Note: Pictures are ONLY in the 1932 edition, not in the 1958 edition!

Det Berlingske Bogtrykkeri, 1932

Kirjapainotaito : graafillinen aikakauslehti. 01.12.1933 no 12. https://digi.kansalliskirjasto.fi/aikakausi/binding/927006?term=latomalla%20tehty%C3%A4%20kuvitusta&page=38

J.K.V. Paasio, 1933

Typograf Si Zpiva by Josef Zavrel, 1946.

Josef Zavrel, 1946.

Typograf Si Zpiva by Josef Zavrel, 1946.

Josef Zavrel, 1946.

Albert Schiller, 1950

Paulo de Cantos, Show your tongue ! / Extratext with illustration of geometrical elements of the work O abc foguetão. 1960. Image from https://cantosverso.org/en/item/brochure-show-your-tongue/

Paulo de Cantos, 1960

Grafika Josefa Zavřela: Dům umění města Brna / Dům pánů z Kunštátu, 13. 3. – 29. 3. 1970. https://www.dum-umeni.cz/en/grafika-josefa-zavrela/t7097

Josef Zavrel, 1970.

Katherine McCanless Ruffin, 2008. "Vandercook flatbed proofing press". Posted by UW-Milwaukee Special Collections. https://uwmspeccoll.tumblr.com/post/177979506455/typography-tuesday-the-vandercook-flatbed-proofing

Katherine McCanless Ruffin, 2008
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